Meris Enzo Multi-Voice Synthesizer

This pedal has by far the best sounds of any synth pedal. It is digital, but the sound is reminiscent of old-school analogue synths. I use it for playing ambient rock and chiptune-style music. This is also the only arpegiator where you can simply play chords or note runs, and it will track every note and create an arpeggio, matched to tap-tempo, from those notes, not from a predefined sequence or scale; amazing!!! Its tracking is mindblowing for chords, and ok for mono leads. It has to be first or early in line to track properly; I solved this by using the wet/dry option, so the wet/synth signal goes straight to the amp, and the dry signal goes to my other effects. This way I can use Enzo for synth backing tracks, that I can play lead guitar on top of, like having a synthplayer that plays along with whatever notes you play; fantastic for practice! This pedal definitely has a learning curve, due to all the features, filters, and hidden secondary functions. It's a shame the arpegiator tempo can only be set by tap-tempo, since you can't create really fast arpeggios with a precise tempo without using midi. Different filter settings can cause big differences in volume, so beware; I use a pedal with a volume knob after it, to make sure I tame it before the signal gets sent along. You can also turn the synth-part off, and use the built-in effects like ping-pong delay (with aged-tape style modulation), tremolo, ring-modulation, compressor, auto-wah, pitch-shifter, and pitch-shifted delays. I wrote this updated review because I actually didn't like this pedal at first, but over time it's become my absolute favorite effects pedal.