Meris Enzo Multi-Voice Synthesizer

This pedal has by far the best sounds of any synth pedal. It is digital, but the sound is reminiscent of old-school analogue synths. I use it for playing ambient rock and chiptune-style music. This is also the only arpegiator where you can simply play chords or note runs, and it will track every note and create an arpeggio, matched to tap-tempo, from those notes, not from a predefined sequence or scale; amazing!!! Its tracking is mindblowing for chords, and ok for mono leads. It has to be first or early in line to track properly; I solved this by using the wet/dry option, so the wet/synth signal goes straight to the amp, and the dry signal goes to my other effects. This way I can use Enzo for synth backing tracks, that I can play lead guitar on top of, like having a synthplayer that plays along with whatever notes you play; fantastic for practice! This pedal definitely has a learning curve, due to all the features, filters, and hidden secondary functions. It's a shame the arpegiator tempo can only be set by tap-tempo, since you can't create really fast arpeggios with a precise tempo without using midi. Different filter settings can cause big differences in volume, so beware; I use a pedal with a volume knob after it, to make sure I tame it before the signal gets sent along. You can also turn the synth-part off, and use the built-in effects like ping-pong delay (with aged-tape style modulation), tremolo, ring-modulation, compressor, auto-wah, pitch-shifter, and pitch-shifted delays. I wrote this updated review because I actually didn't like this pedal at first, but over time it's become my absolute favorite effects pedal.

I bought this pedal, as I was very impressed by the many youtube reviews you can find.
To some extent, the Enzo rose up to my expectations, to some not, and I will develop below.
You can get very synthy, textural and unusual sounds out of this; It is great for someone who is looking for new ways of expression, passionate of synth sounds or soundscapes, or for someone that would want to write a film score.
I believe this, along with other pedals, will spawn a new era of effects, particularly thinning the line between guitars and synths, as I've noticed a tendency in that lately.

Pros: A great variety of new, unusual and inspiring sounds, that can expand your sonic possibilities and can get you inspired to compose new things. The arpeggiator works quite intuitively, it can be programmed via the tap button (but I do have a con at this, will describe it below); Overall, I recommend getting it, though realizing that it may be the first in a chain of upcoming effects.

Cons: As it is a pedal that tracks notes, it can be faulty at times at this chapter; It often happens that it tracks the overtones of notes or it does not track certain notes in a chord to their right pitch, making small or noticeable dissonances, so please keep that in mind.
It can get Very loud, and that is an aspect that I've yet to master, as it is not very predictable and it varies from one filter selection to another.
The arp's speed can be programmed via the tap button, but for accuracy, it may not be the most reliable method. This can be corrected via midi, I think, but it is not something I can wrap my head around at the moment.
Also, it is not the most intuitive pedal. It is the only one in my arsenal for which I had to read the manual, but that's ok :D Just get ready to pay closer attention than a regular pedal.

Thank you Thomann!